Sherni is a triumph -- a sublime outcome of purpose and storytelling falling in place, applauds Sukanya Verma.
Akshay Kumar is King of the box office!
Badhai Ho tackles a serious subject comically, without losing on entertainment or your attention, says Sudarshana Dwivedi.
A look at the hits and misses of the week.
It was a year of so many contradictions and contrasts that it became dangerous to talk about movies, people lost their heads discussing Friday releases, psychiatrists began dabbling in film criticism, and film critics turned into psychiatrists, says Sreehari Nair.
Hichki's greatest handicaps are its predictability and sentiment, feels Sukanya Verma.
"Telling the story of the birth of a nation is never easy. Especially if that nation is as big and diverse as India," said Shyam Benegal about 'Samvidhaan -- The Making of the Constitution of India'.
A look at the hits and misses of the week.
A look at the hits and misses at the box office this week.
'My ethnicity has been my biggest struggle in the industry, a setback in getting me work.'
Like the first season, Sacred Games 2 has become a talking point once again, getting its share of love and flak from viewers.
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Anand Gandhi's directorial debut is a film we've all been waiting for.
Bollywood has given us quite a few suspense tales before, and many of them have done well at the box office.
Amazon Prime Video has doubled its content investments in India and announced as many as 41 new titles in Hindi, Tamil, Telugu and English, thereby throwing an open challenge to their streaming competitor, Netflix.
Fascinating films based on true stories you might want to catch this year.
In a year where we can find positives in wins for the great Gulabi Gang documentary and ace cinematographer Rajeev Ravi, the silver lining doesn't seem as wide if our priorities remain as skewed.
'It is a very uncomfortable film to watch, and that is what makes it so good. A good film should be able to get into our skin, challenge us, shake us up and Talvar does all of that.' Aseem Chhabra reviews Meghna Gulzar's film on the Aarushi murder case, the first of our reviews on arguably the most controversial movie of the year.
'I don't know if I became an actor, I was just trying to book jobs and survive.'
Well done, Team Talvar. Savera R Someshwar applauds the film.
'The more you love yourself, the prettier you feel inside and the prettier you will be.'
Detective Byomkesh Bakshy! stumbles considerably because of its simplistic plotting, says Raja Sen.
'What would a composite of Dawood, Rajan, and Arun Gawli be like?' 'What if an absconding mafia boss were to land in Mumbai tomorrow, tired from all the running, and tender his final apology to the city by narrating his story and narrating it with brutal honesty?' Sreehari Nair watches Sacred Games.
'You can be a great actress, incredibly good looking, have a huge body of work, have National awards... but until you make a mark in a Hindi project, people will not bother.'
'There are times when you feel, you know: "Oh these are parents who committed murder".' 'There are times when you feel: 'No, no, the parents were innocent.' 'There is a fine line between guilt and innocence, which I found very interesting to portray.'
'The fragility of this case is that taking a side could be a fallacy to do. Because you don't have all the answers. So how do you take one particular side?' Meghna Gulzar asks Vaihayasi Pande Daniel/Rediff.com
Isn't It Romantic is about a New York woman hit on the head during a mugging. The impact leaves her feeling that she is in a rom-com.
Besides the five Indian films that are playing at the Toronto International Film Festival this year -- a rather large collection at an international film festival, says Aseem Chhabra -- there are more films with an Indian connect.
'Despite its noble attempts, tight editing, terrific sound design, good performances and a compelling story, Hotel Mumbai tells a big lie.'
Talvar is a cleanly-crafted film, says Raja Sen.
If Irrfan could have been our finest professor of empirical philosophy, and Nawaz is our foremost poet of that space halfway between the gutter and the stars, then Jaideep Ahlawat has to be our greatest artist-scientist, asserts Sreehari Nair.
'Talvar belongs to Irrfan Khan, who plays the chief investigating officer. With each new film, this very fine actor continues to surprise us and delight us.'
As the MAMI film festival kicks off, Aseem Chhabra picks the must watch Indian movies.
'When I saw Sridevi in Lamhe, I decided I wanted to be an actress.' Meet 3AM actress Anindita Nayar.
All through Moothon, you can sense Mohandas trying hard to empathise with her characters; I just wish she was interested in them, declares Sreehari Nair.
'My father is the best father in the world. He is not strict; he has never shouted at us. Anybody who meets my mom will fall in love with her. Bhaiyya pampers me. But for him, I will always be a baby. The age difference between us is quite big.' Shaandaar actress Sanah Kapoor talks about her famous family.
Here is a look at some of Aseem Chhabra's favourite memories of 2020 in Hindi cinema, performances by well-known and new actors, special moments in films and shows.
Radhika Sharma/PTI catches up with the stars at the international film festival in Goa.
'In 2015 I watched films in so many places. I attended several film festivals around the world -- Berlin, Tribeca (New York), Telluride, Toronto, Zurich, Mumbai, Dharamsala and Goa,' says Aseem Chhabra, author of a forthcoming book on Shashi Kapoor.
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